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1CD - EAN 99925418526 MUSICA PER ARPA (BRITTEN B., SLAVICKY K., HURNIK I., SLUKA L., KABELAC M., GEMROT J. ) / K.Englichova harp, C.Wincenc flute, V.Veverka oboe, M.Kasik piano

Record Label: Supraphon
Catalogue Nr.:  SU41852131 ? SU4185-2
Format: CD - compact disc , stereo digital recording DDD
UPC / EAN Code: 99925418526 0099925418526 099925418526
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BENJAMIN BRITTEN (1913-1976) - Suite for Harp Op. 83 (1969) 16:40
1. I. Overture. Majestic 3:21
2. II. Toccata. Fast and gay 1:44
3. III. Nocturne. Slow and quiet 3:56
4. IV. Fugue. Lively 1:24
5. V. Hymn (St. Denio) 6:13
KLEMENT SLAVICKY (1910-1999) - Musica per arpa (1972) * 13:55
6. I. Intermezzo lirico 5:25
7. II. Intermezzo responsoriale 3:34
8. III. Capriccio burlesco 4:55
9. ILJA HURNIK (1922-2013) - Tombeau de Kochel pour flute et arpe (2008) 8:01
Dedicated to Katerina Englichova
LUBOS SLUKA (*1928) - Suite in modo classico per arpa sola (2007) * 11:58
10. I. Preludio 2:01
11. II. Minuetto 4:16
12. III. Rigaudon 2:21
13. IV. Courante 1:47
14. V. Gigue 1:30
Dedicated to Katerina Englichova
MILOSLAV KABELAC (1908-1979) - Lamenti e risolini. 8 Bagatelle per flauto ed arpa Op. 53 (1969) * 14:57
15. I. Bagatelle No. 1 2:26
16. II. Bagatelle No. 2 1:42
17. III. Bagatelle No. 3 1:04
18. IV. Bagatelle No. 4 2:19
19. V. Bagatelle No. 5 1:26
20. VI. Bagatelle No. 6 1:06
21. VII. Bagatelle No. 7 3:10
22. VIII. Bagatelle No. 8 1:40
JIRI GEMROT (*1957) - Trio for Oboe, Harp and Piano (2010) * 17:58
23. I. Risoluto e marcato 4:13
24. II. Allegretto 2:01
25. III. Allegro impetuoso 2:44
26. IV. Largo 3:40
27. V. Andante tranquillo - Allegro molto 5:19
Dedicated to Vilem Veverka, Katerina Englichova and Martin Kasik
* World premiere recording

Katerina Englichova - harp
Carol Wincenc - flute
Vilem Veverka - oboe
Martin Kasik - piano

Recorded in the Church of Evangelical Church of Czech Brethren, Prague - Vinohrady, May 15-16 and June 16-17, 2015, and at the Martinek Studio, Prague, on June 8, 2015

Courage - one of the loveliest characteristics of the noteworthy harpist Katerina Englichova. Her quest led her to the composers of the latter half of the twentieth century; she has given the premieres of a number of their works, some of which were dedicated to her. You can forget all about the romantic image of a beautiful woman gently strumming the harp strings with empty virtuosity that quickly becomes tiresome. Slavicky, Hurnik, and Kabelac present the harp as a dynamic, assertive instrument of expressive versatility, challenging us to search the depths. They have taken their inspiration from the French suite (Sluka), Mozart's catchy tunes (Hurnik), and the coloristic possibilities of the flute and harp (Kabelac). To many, it may come as a surprise that the small Czech nation was producing so much innovative yet beautiful music for harp at the same time that Britten composed his Suite. In two works, the harpist partners with Carol Wincenc, the highly regarded American professor of flute at the Juilliard School, and in Gemrot's trio she is joined by the oboist Vilem Veverka and the pianist Martin Kasik. For those who are not afraid of the unknown, Katerina Englichova discovers previously unknown beauty. And this discovery is worth hearing.
The revelatory, playful, and fiercely beautiful harp of Czech and international modernism.
(Supraphon 2015)

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