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CD - EAN 8711801015712 CODEX SPECIALNIK - POLYPHONY IN PRAGUE AROUND 1500 / Cappella Mariana / V.Semerad (Etcetera Rec.)

Record Label: Other labels
Catalogue Nr.:  KTC1571
Format: CD - compact disc
UPC / EAN Code: 8711801015712
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Codex Specialnik Polyphony in Prague around 1500
1. Pane Boze bud pri nas - Anonymous 04:08
2. Muteta kokodac vel ut re mi fa et converso - Bartholomeus Frank 04:38
3. Nas mily svaty Vaclave - Anonymous 04:14
4. Kyrie fons bonitatis - Anonymous 01:56
5. Gloria Amore dei nezpiwayte ho, prziliss jest lahodne a melodizke - Anonymous 02:25
6. Credo Charge de deul - Heinrich Isaac 09:02
7. Chorus iste 02:55
8. Sanctus klickovo - Flemmik 07:13
9. Miserere nostri Domine - Anonymous 04:43
10. Miserator - Heinrich Finck 03:43
11. Discubuit Jesus - Anonymous 05:44
12. Advocata libera - Johannes Tourout 01:39
13. Benedicta semper sancta - Anonymous 10:00

Codex Specialnik, a manuscript containing polyphonic music which originated in Prague in the course of the last two decades of the 15th century, is considered one of the most important sources of music from Bohemia in the late Middle Ages. The original name of the collection signifies a "special" type of singing, characteristic of the Czech milieu and different from the common liturgical collections. The contents of the codex mostly relate to the mass liturgy of the Utraquist Church and comprise parts of the ordinary, motets, and religious songs, but also non-liturgical sacred music, as well as repertoire intended for instrumental interpretation. Containing some 200 polyphonic pieces, the collection contains music by important composers of the time which was known and performed in Latin Europe (e.g. Bedyngham, Frye, Weerbeke, Josquin, Isaac, and Obrecht), but also works by authors who were mostly active in Central Europe (e.g. Tourout, Flemmik, and Finck) as well as anonymous works (in some cases on Czech lyrics) among which we find some remarkable examples of the local reception of Franco-Flemish polyphony. A special category is formed by compositions from the late 14th century and the first half of the 15th century that were written in an older style but purposely performed in the Utraquist environment as part of a unique and quite independent tradition whose beginnings can be traced to the pre-Hussite period.
(Etcetera Records 2016)

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