Jan Dismas Zelenka - Missa Sanctissimae Trinitatis A Moll ZWV 17
KYRIE 8:20
1. Kyrie eleison I (Coro) 1:27
2. Christe eleison (Aria, Alto solo) 4:11
3. Kyrie eleison II (Coro - Fuga) 2:36
GLORIA 15:57
4. Gloria in excelsis Deo (Coro e soli SATB) 5:46
5. Qui tollis peccata mundi (Coro) 3:02
6. Quoniam tu solus Sanctus (Aria, Soprano solo) 4:36
7. Cum sancto Spiritu I (Coro) 0:26
8. Cum sancto Spiritu II (Coro - Fuga) 2:05
CREDO 15:46
9. Credo in unum Deum (Coro e soli SATB) 5:07
10. Et incarnatus est (Coro) 1:49
11. Et resurrexit (Coro e solo Tenore) 3:40
12. Et unam sanctam...Ecclesiam (Soli - SAT) 1:38
13. Et vitam venturi saeculi (Coro - Fuga) 3:27
SANCTUS 7:51
14. Sanctus (Coro) 1:49
15. Benedictus (Aria, Soprano solo) 5:33
16. Osanna in excelsis (Coro) 0:27
AGNUS DEI 7:30
17. Agnus Dei I (Soli: Tenore e Basso) 4:05
18. Agnus Dei II (Coro) 0:44
19. Dona nobis pacem (Coro - Fuga) 2:35
TOTAL TIME: 55:41
Musica Florea
conductor Marek Štryncl
soprano: Anna Hlavenková (solo 4,6,9,12,15), Magda Černá, Leona Pelešková, Markéta Jáchymovská
alto: Magdalena Kožená (solo 2,4), Markéta Cukrová, Jana Lewitová
tenor: Richard Sporka (solo 4,11), Stanislav Předota (solo 12,17), Lubomír Moravec (counter tenor, solo 12)
Bass: Michal Pospíšil (solo 9,17), Radim Vondráček, František Kuncl
Marek Špelina (2,6,15) - flute, Gerhard Kowalewski, copy, Jacob Denner 1715
Václav Kapsa (2,6,15) - flute, Gerhard Kowalewski, copy Godefroid Adrien Rottenburgh 1760
Jean Marc Philippe (1-11,13-19) - barogue oboe, Olivier Cottet after Thomas Stanesby 1720
Matthias Haase (1,3-5,7-11,13,14,16,18,19) - baroque oboe, Peter Deont 1901, after Öberlender
Christian Leitherer (17) - chalumeau, G. Wolf, 1992, after Denner cca. 1700
Juraj Korec (1,3-11,13-16,18,19) - baroque bassoon, anonymous author, Germany cca. 1750
Dagmar Valentová - barogue violin, Georg Hopf, 1783
Jiřina Doubravská - baroque violin, Franz Kastl, 1766
Martin Kalista - baroque violin, Johann Udarlicus Eberle, 1767
Simona Pešková - baroque violin, anonymous author, Italy cca. 1750
Lenka Hessová - baroque violin, anonymous author, Germany cca. 1750
Lenka Zelbová - baroque violin, Joseph Helmer 1756
Lýdie Cillerová - baroque viola, anonymous author, Tyrol cca. 1750
Marie Slavíčková - baroque viola, anonymous author, Germany, cca. 1810
Pavel Řezáč (1-11,13-19) - baroque cello, Tyrol, 1750
Jan Doskočil (1-11,13-16,18,19)- baroque double bass, Josef Rauch 1789
Přemysl Vacek (1-3,5-19) - archlute: Jiří Čepelák 1990, Italian type, 17th cent.
Přemysl Vacek (4) - theorbo: Jiří Čepelák 1992, after Matteo Buechenberg 1614
Robert Hugo (1-17,19) - positive organ: Daniel Přib 1992 from 18th cent. model
World Premiere Recording
The Czech Baroque composer Jan Dismas Zelenka spent most of his creative lifetime in the city so famous as a music center in the half of the 18th century - in Dresden. During this period Zelenka not only directed all of the sacred music but was responsible for its composition s well. Missa Sanctissimae Trinitatis was completed in 1736 as the first of five High Mass compositions he wrote in the last ten years of his life.
(Studio Matouš)
| Property | Value |
| original instruments | Yes |
| format | CD audio |
