Bohuslav Martinů - Complete Works for Piano / Kompletní klavírní dílo
CD 1
Bohuslav Martinů – Loutky I., H. 137
1. Colombina tančí (Tempo di Valse) 02:25
2. Nová loutka (Shimmy. Moderato) 01:33
3. Ostýchavá panenka (Chanson. Andante moderato) 03:49
4. Pohádka (Moderato) 03:10
5. Tanec loutek (Tempo di Valse) 02:41
Bohuslav Martinů – Loutky II., H. 116
6. Loutkové divadlo (Valse. Allegretto) 02:12
7. Harlekýn (Scherzo. Allegretto) 02:59
8. Colombina vzpomíná (Intermezzo-tranquillo, poco andantino) 03:45
9. Nemocná loutka (Chanson triste. Largo) 03:33
10. Colombina zpívá (Chanson a la Grieg. Lento) 03:25
Bohuslav Martinů – Loutky III., H. 92
11. Pierotovo zastaveníčko (Scherzando, ma non troppo) 01:47
12. Valčík sentimentální loutky (Poco moderato) 02:45
13. Colombina (Andantino) 02:37
14. Ples loutek (Tempo do Valse) 02:52
Bohuslav Martinů – Motýli a rajky, H. 127
15. Motýli v květinách 03:53
16. Motýli a rajky 03:26
17. Rajky nad mořem 08:38
Bohuslav Martinů – Tři české tance (Trois Danses tchéques), H. 154
18. Obkročák (Tempo di Polka) 03:09
19. Dupák (Allegro con brio 03:10
20. Polka (Rubato-Tempo di polka) 03:02
CD 2
Bohuslav Martinů – Borová. Sedm českých tanců, H. 195
1. Moderato 01:59
2. Allegro moderato 01:47
3. Allegro moderato 02:01
4. Moderato 01:55
5. Moderato 01:42
6. Moderato 01:48
7. Moderato 01:26
Bohuslav Martinů – Tři skici, H. 160
8. Tempo di Blues 01:45
9. Tempo di Tango 02:36
10. Tempo di Charleston 01:29
Bohuslav Martinů – Osm preludií, H. 181
11. En forme de Blues (Poco andante) 03:12
12. En forme de Scherzo (Vivo) 01:18
13. En forme d' Andante (Adagio) 03:34
14. En forme de Danse (Allegro vivo) 02:30
15. En forme de Capriccio (Allegretto) 01:35
16. En forme de Largo (Lento) 03:24
17. En forme d' Etude (Presto) 01:25
18. En forme de Fox-trot (Allegro) 01:39
Bohuslav Martinů – Ritornely. Šest skladeb pro klavír, H. 227
19. Andante. Poco allegro 01:58
20. Andante moderato. Allegro moderato 01:58
21. Intermezzo č. 1. Andantino 02:06
22. Andante. Poco allegro 02:05
23. Intermezzo č. 2. Andante 02:54
24. Allegro vivo 01:48
Bohuslav Martinů – Taneční črty, H. 220
25. Allegro moderato 01:52
26. Poco andantino. Allegretto 02:40
27. Allegro vivo 01:31
28. Tempo di Valse 02:04
29. Allegro 02:20
Bohuslav Martinů – Okno do zahrady, H. 270
30. Poco andante 02:17
31. Allegro moderato 02:19
32. Moderato 02:11
33. Allegretto 01:30
CD 3
Bohuslav Martinů – Fantazie a Toccata, H. 281
1. Fantaisie (Andante - Moderato - Poco allegro - Allegro - Andante) 08:35
2. Toccata (Allegro) 08:10
Bohuslav Martinů – Etudy a polky. Klavírní skladby - 1.sešit, H. 308
3. Etude in D (Allegro poco) 01:39
4. Polka in D (Poco allegro) 01:33
5. Etude in A (Vivo) 02:57
6. Polka in A (Poco allargando) 01:17
7. Pastorale (Moderato) 02:09
8. Etude (Poco allegro) 01:58
Bohuslav Martinů – Etudy a polky. Klavírní skladby - II. sešit, H. 308
9. Etude in C (Allegro) 02:17
10. Polka in F (Poco allegro) 01:36
11. Tanec-Etuda (Allegretto) 01:54
12. Polka in E (Allegro moderato) 01:56
13. Etude in F (Allegro) 01:52
Bohuslav Martinů – Etudy a polky. Klavírní skladby - III. sešit, H. 308
14. Etude in A (Moderato) 02:11
15. Polka in A (Poco allegro) 02:16
16. Etude in F (Allegro) 01:49
17. Polka in A (Moderato) 01:56
18. Etude in F (Allegro) 02:26
Bohuslav Martinů – Sonáta pro klavír č. 1, H. 350
19. Poco allegro 05:57
20. Moderato (poco andante) 09:24
21. Adagio. Poco allegro 05:36
Emil Leichner piano / klavír
If there is talk about the greatest masters of the piano of our century, then names such as Rachmaninov, Bartok, and Prokofiev will come to mind, but hardly the Czech composer Bohuslav Martinu (1890-1959). Martinu nonetheless was one of the most hard-working composers for the piano: the number of his piano compositions is larger than Prokofiev and comparable with the giant of piano music Bela Bartok. It is all the more interesting that Martinu himself was not a concert pianist and his technique of piano playing never came to a higher proficiency. Perhaps as a consequence Martinu tends to have little in common with the traditional and particular instrumental practice of piano playing: for instance he took a particular pleasure in utilizing the sound of the piano in his symphonic scores. In this way his approach to the instrument was all the more original. For his independence from the big names of the piano literature and his masterful instrumental syntax, the piano works of Martinu are all the more beloved at home and abroad, and for the needs of interested parties both active and passive there is an undisputed value in Supraphon presenting a complete digital recording of his works for this instrument. This recording is to the credit of the pianist Emil Leichner, whose relationship to Martinu's works has become institutionalized through his lengthy activities with the Bohuslav Martinu Piano Quartet. He is the first pianist to fulfill the task of learning the complete solo works of this Czech classic composer of the twentieth century.
(Supraphon 2002)
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