Johann Sebastian Bach - GOLDBERG VARIATIONEN
VIERTER TEIL DER KLAVIERÜBUNG
Aria mit verschiedenen Veränderungen, BWV 988
1. ARIA 4:19
2. VARIATIO 1. 2:11
a 1 Clav.
3. VARIATIO 2. 1:39
a 1 Clav.
4. VARIATIO 3. 2:28
a 1 Canone allÚnisono, a 1 Clav.
5. VARIATIO 4. 1:10
a 1 Clav.
6. VARIATIO 5. 1:51
a 1 o vero 2 Clav.
7. VARIATIO 6. 1:30
a Canone alla Seconda, a 1 Clav.
8. VARIATIO 7. 2:08
a 1 o vero 2 Clav. al tempo di Giga
9. VARIATIO 8. 2:08
a 2 Clav.
10. VARIATIO 9. 2:27
Canone alla Terza, a 1 Clav.
11. VARIATIO 10. 1:37
Fugetta a 1 Clav.
12. VARIATIO 11. 2:04
a 2 Clav.
13. VARIATIO 12. 2:36
Canone alla Quarta, a 1 Clav.
14. VARIATIO 13. 4:05
a 2 Clav.
15. VARIATIO 14. 2:19
a 2 Clav.
16. VARIATIO 15. 4:23
Canone alla Quinta. a 1 Clav. Andante
17. VARIATIO 16. 3:04
Overture. a 1 Clav.
18. VARIATIO 17. 2:07
a 2 Clav.
19. VARIATIO 18. 1:28
Canone alla Sexta, a 1 Clav.
20. VARIATIO 19. 1:27
a 1 Clav.
21. VARIATIO 20. 2:27
a 2 Clav.
22. VARIATIO 21. 2:52
Canone alla Settima, 1 Clav.
23. VARIATIO 22. 1:26
a 1 Clav. alla breve
24. VARIATIO 23. 2:30
a 2 Clav.
25. VARIATIO 24. 3:18
Canone allÓttava, a 1 Clav.
26. VARIATIO 25. 5:30
a 2 Clav.
27. VARIATIO 26. 2:26
a 2 Clav.
28. VARIATIO 27. 2:04
Canone alla Nona, a 2 Clav.
29. VARIATIO 28. 2:41
a 2 Clav.
30. VARIATIO 29. 2:35
a 1 o vero 2 Clav.
31. VARIATIO 30. 1:44
Quodlibet, a 1 Clav.
32. ARIA 2:26
total time 79:17
Borbála Dobozy - harpsichord
Replica of a German Michael Mietke's double-manual harpsichord, built around 1710, from the workshop of Jan Bečička + Stanislav Hüttl + Petr Šefl, 2005
Pitch a = 415 Hz Kirnberger III
Liszt Academy student and Liszt Prize winner harpsichordist Borbála Dobozy is one of the leading Bach performers of our day. Her recording of the Goldberg Variations (2010) – one of the finest harpsichord interpretations of the work in existence – in which she plays on a replica Mietke harpsichord, that is, on the instrument that Bach collected in Berlin in 1719, and which according to some researchers inspired the astounding harpsichord solo of the Brandenburg Concerto No. 5. Borbála Dobozy admitted in an interview that “The faith that I experience day in, day out through the art of Bach has been a huge resource for me. Bach’s entire life was one of faith, every single work of his was testimony of the love of God and his music permeates the atheist as well.”
| Property | Value |
| format | CD audio |
| original instruments | Yes |
Product links
| sound clips |
