1. Astor Piazzolla - Fugata 3.31
2. Astor Piazzolla - Tangata 9.12
3. Ilja Zeljenka - Pesnička z Ziegelfeldu 3.57
4. Astor Piazzolla - Primavera Porteňa 5.22
5. Evgeny Irshai - Anstaborlindo anagramango 5.47
6. Astor Piazzolla - Verano Porteňo 6.25
7. Marek Piaček - Alea vera 8.43
- Alea festiva y autentica
- Alea apasionada y bailable
- Alea popular y diverdita
8. Astor Piazzolla - Otoňo Porteňo 5.20
9. Martin Burlas - Bratislavský vzdych 7.31
10. Astor Piazzolla - Invierno Porteňo 7.02
11. Peter Zagar - Con passione 4.32
12. Astor Piazzolla - Los sueňos 2.07
Total Time: 70.24
ALEA - Daniel Buranovský - piano
Ján Krigovský - double bass
Boris Lenko - accordion, bandoneon
Stano Palúch - violin
The music of the Alea Ensemble - with all its facets, i. e. group playing, individual contributions of each player and the choice of repertoire - has exposed itself to worlds, which transport us into our fascinating inner universe, to a place where we have never been before, neither just in terms of an experience, nor in terms of a concept, of (music) education, musicology, philosophy. The basic "feeling" can be described as "this comes out of nowhere" - in terms of instrumental playing, music organisation and arrangement. The word feeling is in quotation marks because it fails to describe how captivating this music is; the music leaves everybody in a state of dizziness, both the listeners in the Bratislava Castle and listeners of this CD, including the musicians themselves - Boris Lenko (accordion), Stano Palúch (violin), Ján Krigovský (double bass) and Daniel Buranovský (piano). The musicians are not self-centred, their presence is friendly and it has an integrating and intimating effect, be it in the background or on the surface of the musical process. Once you begin to listen to the musical action, you are immediately struck by their sel?ess openness to all haracteristics of the musical action and to all emotional subtleties of the various layers of this music. This is because Alea cherishes otherness, it is happy to see it in the accordion, the violin, the piano and the double bass. All members foster this otherness; they play with it and yield to it gratefully. That is why we have not used the expression "they assume it".
(Pavlík Records)
| Property | Value |
| format | CD audio |